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Industry7 min read

How to Release Music on Spotify (Distribution Explained)

You can't actually upload to Spotify yourself — here's how indie releases really get there, what a distributor does, and the timeline that keeps you from missing your shot.

The Onomo Team·
How to Release Music on Spotify (Distribution Explained)

Here's something nobody tells you when you finish your first track: there is no "upload" button on Spotify for you. As an independent artist, you can't hand your song directly to Spotify, Apple Music, or any major streaming platform. They simply don't take uploads from individuals.

What you need instead is a music distributor (sometimes called an aggregator). That's the missing piece between your finished song and the entire streaming world, and once you understand how it works, releasing music becomes refreshingly straightforward.

Heads up: this is general education, not legal or financial advice. Distributor terms, prices, and timelines change — confirm the current specifics on each service's own site before you commit.

What a distributor actually does

Think of a distributor as your delivery service to every streaming platform at once. You upload your finished song to them, and they push it out to Spotify, Apple Music, Amazon Music, YouTube Music, Tidal, Deezer, and dozens more — all from one submission.

When you submit, you hand over four things:

  • The audio file — your final, mastered track.
  • The metadata — song title, artist name, featured artists, songwriter credits, genre, language, and any explicit-content flag.
  • The cover art — your artwork, at the size and format the distributor requires (usually a square image, no blurry text, no logos you don't own).
  • The release date — the day you want it to go live everywhere.

The distributor delivers all of that to the platforms and, just as importantly, collects your master royalties from streams and pays them out to you. (Master royalties are the money owed to the owner of the recording — that's you. There's a whole second royalty stream on the songwriting side too; we cover that in how music royalties work.)

What it costs (and who takes a cut)

Distributors generally make money one of two ways: a flat fee, or a percentage of your earnings. Two of the most well-known options show the range:

Distributor Rough pricing Known for
DistroKid Annual plan around $25/yr for unlimited uploads Fast uploads, built for artists who release a lot
TuneCore Annual plans starting around $15/yr Also offers paid publishing administration that hunts down global songwriter royalties for you

These are examples, not a ranking — the right one depends on how often you release and what extra services you want. A producer dropping a track a week values unlimited uploads differently than someone putting out one EP a year.

On cuts: on the major streaming platforms, most distributors take little or no percentage of your streaming royalties — you keep essentially all of it. Watch the fine print on the edges, though. It's common for a distributor to take around 20% of YouTube Content ID revenue or certain social-platform monetization. That's usually a fair trade for them doing the claiming work, but you should know it's happening.

The timeline that saves your release

This is where most first-timers stumble. They finish a song on Friday and expect it live by Monday. Delivery to Spotify typically takes a few business days, and sometimes up to one to two weeks, depending on the distributor and the queue.

But the real reason to plan ahead isn't just delivery time — it's everything you can only do before a song goes live:

  • You can only pitch Spotify's editorial team an unreleased song (and the window closes on release day).
  • You can only set up a pre-save campaign before the track is out.
  • You need lead time to tease the release and build a little anticipation.

So the rule is simple: plan 2–4 weeks ahead of your release date. That buffer is what turns "I uploaded a song" into "I ran an actual release."

The step-by-step

Here's the whole process from finished song to live release:

  1. Make the music. Write, record, and mix it — you can build the whole track in a tool like Onomo — then get it mastered so it's loud and clean enough to sit next to commercial releases.
  2. Pick a distributor. Choose one that fits your release pace and budget (see the table above).
  3. Prep your files. Have your mastered audio, correctly sized cover art, and all your metadata ready and accurate. Typos in metadata are a pain to fix after release.
  4. Set a release date 2–4 weeks out. Give yourself room to pitch and promote.
  5. Submit to the distributor. Upload everything and confirm the release date.
  6. Claim Spotify for Artists. Once your release is in the system, claim your artist profile so you can pitch editorial playlists, set up a pre-save, and see your stats. (More on pitching in how to get on Spotify playlists.)
  7. Promote, then keep promoting. Build anticipation before, go hard on release day, and don't stop the day after — see release strategy for the full playbook.

Common mistakes to avoid

  • Uploading at the last minute. You lose the pitch window and the pre-save entirely.
  • Bad metadata. Wrong songwriter credits or a misspelled title can cost you royalties and look unprofessional.
  • Artwork that breaks the rules. Blurry images, unauthorized logos, or text-heavy covers can get a release rejected and delayed.
  • Forgetting the songwriter side. Distribution collects your master royalties. Your publishing royalties come from a different place — don't leave that money sitting there.

FAQ

Can I really not upload directly to Spotify as an indie artist? Correct. Spotify and the other major platforms don't accept uploads from individuals. A distributor is the standard, legitimate path in — there's no secret backdoor.

How long before my song is actually live? Usually a few business days, and sometimes up to one to two weeks. That's exactly why you set your release date 2–4 weeks out rather than expecting it instantly.

Do distributors take a cut of my streaming money? On the major platforms, most take little or none — you keep nearly all your streaming royalties. They may take around 20% of YouTube Content ID or some social monetization, so read the terms.

Which distributor is the best one? There's no single "best." DistroKid and TuneCore are two popular examples with different strengths — fast unlimited uploads versus low entry pricing plus publishing administration. Pick the one that matches how often you release and what extra help you want.

What's the difference between distribution and publishing? Distribution gets your recording onto streaming platforms and collects your master royalties. Publishing is the separate songwriting side. Some distributors offer publishing administration as an add-on; otherwise it's handled separately.

Do I need to master my song before distributing? Yes, ideally. Streaming platforms play your track right next to professionally finished records. A mastered file makes sure yours holds its own in loudness and clarity.


Releasing on Spotify isn't about a magic button — it's about understanding the one piece (a distributor) that connects you to every platform, and giving yourself enough runway to do it right. Get those two things down and you're ahead of most people who hit "upload" and hope.

Keep learning: how to get on Spotify playlists, release strategy for musicians, and how music royalties work. For the full series, head to Music Business 101.

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